Today
we visited a new site, the Sforzesca Castle. It used to be the home
of the rulers of Milan, the Sforza family. Now it is a nice grounds
to visit and explore that includes many museums. We arrived in the
afternoon, perhaps too late, and we only saw a handful of the
exhibitions before we were kicked out at closing time. It was
interesting enough to see different sculptures and suits of armor
through the ages of Milan. At the end of the sculpture museum was one
of the last works by Michelangelo, an unfinished Pieta. Because it
was unfinished, it was interesting to see aspects of the process of
marble sculpture, like how he changed the position of the head
completely; one could see on the side of Mary's head, in her scarf,
where he had originally wanted to place an eye, but later decided on
the final position, with her head at a ninety degree turn.
Another
interesting portion of the museums was the section on musical
instruments. There were many pianos of different shapes and sizes, as
well as many instruments in the violin family and guitar family.
There are only so many table pianos and violins one can look at
before they all start to look the same. However, I was very surprised
that by the end of the exhibition, there was a room that covered
early electronic music from the 50s and 60s. There were big, wall
sized computers that consisted of transistors, switches, and vacuum
tubes. They even had a score by an Italian composer named Bruno
Maderna who composed music on these machines. It was unfortunate that
they were closing and kicked us out while I was looking at this part
of the exhibition.
Whether
I enjoy those musical experiments or not (some I do, and some I
don't), I find it very interesting and important in the history of
music. I am always very excited when I see coverage of modern and
contemporary art, especially in the old countries that are so
celebrated for their earlier history. Everyone should realize that
history is happening right now, and people who are making art today,
no matter how strange you might think it is, are fundamentally the
same thing as all the old masters, just with different methods,
instruments, and ideas.
After
walking exploring the Castle Sforzesca, we walked through a
neighborhood called Brera. It was charming, just as all the small
neighborhoods. The neighborhood was based around the art school as
the focus. Because of this, there were many small art galleries
lining the streets, and many cafes. After all, where should young art
students gather and hang out besides smokey cafes?
At
the end of the street was another church. What I found especially
interesting about this church was that there was a plaque on the wall
of the adjoining religious housing that Mozart had lived there for
two months in 1770.
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